Movie Talk
Edge of Darkness
Chuck Acheson
Issue date: 2/5/10 Section: Entertainment
In Edge of Darkness, Mel Gibson takes on the role of a Boston cop. When what appeared to be a failed murder attempt on him leaves his daughter dead, Gibson is pushed to the edge to find out what really happened.
Although the movie raises valid questions about politicians and their ties to campaign donors, the movie undercuts itself with overacting, a poor plot and questionable visual sequences.
Throughout the film, Gibson forces a Boston accent that comes and goes at times. And, rather than looking like a human feeling hatred, rage and sorrow, he looks like a mannequin with emotions tacked on his face. He never gave the audience a chance to believe he really just lost his daughter.
The plot is riddled with holes and leaves numerous loose ends, but not in the sense, 'here comes a sequel.' The final action of the movie will leave the viewer asking, 'wait... what?' without an explanation as the movie attempts to stick with the theme of political intrigue.
While the action unfolds, the viewer is treated to awkward camera shots and canned dramatic sequences. The sequence in which Gibson releases his daughter's ashes on a wind-swept beach is as original as the Boston cop drama genre at this point.
With these short-comings, however, the film did manage to keep me in my seat with a few witty twists and shocks. At least once, the action made me jump out of my seat.
But, the movie can't overcome its faults and remains a forgettable, below-average film. Check it out if you aren't tired of movies trying to be The Departed. Everyone else can pass on this one.
Final Grade: C-
Next Week: From Paris with Love
Although the movie raises valid questions about politicians and their ties to campaign donors, the movie undercuts itself with overacting, a poor plot and questionable visual sequences.
Throughout the film, Gibson forces a Boston accent that comes and goes at times. And, rather than looking like a human feeling hatred, rage and sorrow, he looks like a mannequin with emotions tacked on his face. He never gave the audience a chance to believe he really just lost his daughter.
The plot is riddled with holes and leaves numerous loose ends, but not in the sense, 'here comes a sequel.' The final action of the movie will leave the viewer asking, 'wait... what?' without an explanation as the movie attempts to stick with the theme of political intrigue.
While the action unfolds, the viewer is treated to awkward camera shots and canned dramatic sequences. The sequence in which Gibson releases his daughter's ashes on a wind-swept beach is as original as the Boston cop drama genre at this point.
With these short-comings, however, the film did manage to keep me in my seat with a few witty twists and shocks. At least once, the action made me jump out of my seat.
But, the movie can't overcome its faults and remains a forgettable, below-average film. Check it out if you aren't tired of movies trying to be The Departed. Everyone else can pass on this one.
Final Grade: C-
Next Week: From Paris with Love
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